This was initially an experiment in coherently mixing a lot of languages. And it has a rhythm, it has a step, it works in a way poetry like it works sometimes. But it hasn't yet unified form and content. Unless it's about this fragmentation, of course. I'm not sure.

(If it's about fragmentation, J.G. Ballard plays with fragmented narrative, as half the point about a hyper-spectacle-based society, or so I've heard.)

JULINOZA does something similar to this poem, but with natural languages. The transitions are about as fluid as their hand-drawn, dissolving-resolving style of music videos. It's about dreams sometimes.